The Enigma of the Irish Round Towers Part Four

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THE IRISH ROUND TOWERS - the key to an enigma. For more than forty years a top US scientist, Professor Philip Callahan has turned his mind to the enigma of the distinctive round towers of Ireland. His discovery, according to the head of the International Institute of Biophysics is one of the most important this century. These towers, built by monks in the 6th and 7th Centuries are no less than radio antennae.

Mirrors in the landscape

There is more to come. In antenna technology form follows function, so different shapes will resonate to different frequencies. Obtain an accurate geological survey map of a favourite area and with a hard steel stylus trace and cut the contours into a sheet of carborundum paper. Immerse the sheet in a shallow pan of Epsom salts, and then allow the solution to dry naturally. In a few days an energy map of growing force lines appears. The lines of force will concentrate in the most energetic spots on the carborundum map. Even more strangely if the map is put aside and observed for six months or a year, the crystals of diamagnetic Epsom salts will begin to grow and produce little hills and mountains. It is an accurate template of the real landscape.

"Since the crystals will reproduce and grow, who is to say that the forces of rock and soil are not living!" Callahan gestures to the map. "The beauty of these experiments is that anyone can show how these weak forces can grow and accumulate energy."

"You can even detect differences in behaviour in various populations, dependent on the paramagnetic nature of the sub-rock. Take Belfast for instance. The sub-rock under that city is basalt which is highly paramagnetic and the sub-rock under Dublin is diamagnetic limestone. We know that Dubliners are more laid-back. It's the same difference with the population of North and South Vietnam and say between New York and Florida."

Stone circles, steeples, pyramids - are they all antennae?

Burmese stupas. Many flies (see inset) have stupa or pagoda-tapered sensilla on their antennae.

Burmese stupas. Many flies (see inset) have stupa or pagoda-tapered sensilla on their antennae.

Callahan's findings concerning the Irish round towers uncover a major reason for the construction of stone circles, church steeples, pagodas, chedi, minarets and pyramids. They are all antennae -  tapping into natural radio energy for healing, meditation and so on.

But whatever man has created as an antenna, nature was there first.

Salisbury cathedral and first inset Norwich cathedral. Cabbage looper moth antennae final inset.

Salisbury cathedral and inset Norwich cathedral both have steeples that mimic the cabbage looper moth antennae whicjh has its own steeple (cone) on it. The cone sensor is considered to be the taste sensor on moths

The antennae sensilla of the vespid wasp (polistes metricus).

The antennae sensilla of the vespid wasp showing pyramidal sensilla and corrugated sensilla - two of the best configurations for focusing and concentrating the paramagnetic force. Although seldom mentioned the vespid hieroglyph is even more common than that of the scarab beetle.

The Egyptians had two hieroglyphics for stone - both take the exact proportions of the building stones found in the Great Pyramid. One hieroglyph is open like this  , the other has lines across it like this  , the same way Callahan's model paramagnetic round tower has force lines across it. Both symbols represent the same syllable for stone aner. The hieroglyph for prepared stone is aner sept (two syllables) and is:  

It contains a feather for levitation, waves, a mouth (source of diamagnetic breath), a stone (with paramagnetic force lines) and finally a pyramid (Septih, the Dog Star). The little circle is the sign for sand from which the rocks are made, the bar   the sign for symmetry, and the three lines |||  for plural (many building stones).

The hieroglyph for black granite is:    This word is similar to prepared granite except the pyramid sign (Septih), for the Dog Star, is replaced by the symbol for a wing (many feathers), a much stronger levitating force than one feather . In other words black granite is a paramagnetic battery for the force. Every Egyptian word for different types of paramagnetic stone e.g. aner-en-bekhenu (porphyry), aner-en-moat (stone of truth), aner-en-rut (sandstone), aner-en-hatch (white limestone) etc.,  has the symbol        with force field lines in it.

The evidence suggests that the knowledge and engineering skills were passed down to the Celts from the Ancient Egyptians. It was in Egypt, perhaps, that man reached a pinnacle of subtle-energy manipulation.

Callahan suggests that the outer limestone portion of the Great Pyramid at Giza serves as a giant condenser lens - as in a photographic enlarger - to diffuse and concentrate paramagnetic waves. The full pagoda construction of the King's Chamber is made from the most highly paramagnetic of all stone, pink granite. Its succession of stone floors or lenses serves to concentrate the cosmic paramagnetism (like light waves) down into the actual chamber.

Suspended model round towers are very sensitive energy detectors, responding to the paramagnetic-infrared aura of the human body. To prove his theory Callahan took one into the King's Chamber.

"Usually the model would swing through about 60 or 70 degrees to point to an approaching human. I found that in the King's Chamber the same model would move 200 - 300 degrees in a steady sweep to the human aura, that's telekinesis. The sensor was five to ten times as sensitive inside the Pyramid. The model also rocked violently up and down every time a human body approached it, this is in effect levitation."

Callahan says that since the outer smooth tura limestone casing of the Great Pyramid has been destroyed it will never again stimulate total levitation of a heavy body. "Certainly, in my opinion, one of the reasons for its construction was to induce levitation." He refers to a beautiful series of ancient stone-wall reliefs which show an Egyptian priestess raising her hands above the outstretched body of a pharaoh. In the next panel the pharaoh is six inches off the couch.

An Egyptian priestess raising her hands above a pharaoah.A pharaoh levitating

An Egyptian priestess raising her hands above the outstretched body of a pharaoah. Another panel right showing a pharaoah levitating off the couch. Similar to the panels referred to in the text.

"Deep in the Great Pyramid the priests breathed out that mixture we call breath - but which the Orientals call the spirit of life." Callahan explains. "They chanted to modulate the potent vapour which was then energy magnified by the great stone paramagnetic pyramid. Ever so gently they rose in the air. Their very own wall pictographs tell us that this is so."

Ends

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